So after looking at the clichés, what are some examples of atypical historical elements you've encountered? Characters, settings, plot lines? Tell us your favorite unusual historicals.
1. The heroine is a blushing virgin who is so unaware of her genitals and what they do that she is shocked and perplexed when the hero gives her pleasure. Double points if she's at a loss for words to describe what's happening.
2. The Virgin Widow: The heroine's cruel/inattentive/impotent husband either never consummated the marriage or never gave her an orgasm.
3. The heroine is the innocent, inexperienced ward; her unwilling guardian is older, wealthy and socially prominent, has had a string of beautiful and enticing mistresses. Let us guess whom he falls in love with...
4. He's got the bluest blood of the realm! If you believed Romancelandia, every other peer in England is a duke--and a handsome, unmarried one at that!
5. Old Boney won't get the best of him! The hero is a peer but is also secretly a spy for England! Bonus points if he works with a secret cabal of other spies, all of them dashing and brooding and rich...and future heroes in an on-going series, of course.
6. The innocent governess and her dark, vaguely threatening master of the house is a gothic classic. Bonus points if he has a relative locked somewhere on his estate.
7. You can't have a governess without a child, and one of Romancelandia's favorite clichés is the dissolute rake forced to raise a child (usually a daughter who is unnaturally bright and/or saucy), only to be transformed by her innocence and the love of her female caregiver.
8. The Devil of Fill-in-the-Blank always wears black, always rides in a black coach with matching black horses and always tosses about dark stares and sardonic glances as he storms around Regency London.
9. You can't have Beauty and the Beast without the Beast! Thankfully, minor burns and scars are enough to make many Romancelandia heroes brood excessively about their hideous features. Hey, sometimes even a limp will do!
10. Heroines should have flaws. Unfortunately, many of them seem to share the exact same flaws--either fiery tempers and brash manners or bookish ways and a need for spectacles, without which they cannot be trusted not to trip, fall and tumble onto any available lap in a moment's notice.
11. Apparently young girls in all historical periods knew the best way to meet the man of your dreams was to masquerade as a boy. Be a squire to his knight, stable lad on his estate, new footman in his townhome, or cabin boy on the ship he captains.
12. Get thee to a nunnery! If a medieval heroine's not already in a convent (where she probably nurses the hero back to health), she's on her way to one.
13. The hero or heroine must marry as soon as possible or they'll lose their fortune/disgrace the family's good name. Bonus points if the reluctant marriage is mandated in the will of a recently deceased parent or guardian.