Showing posts with label Publishing. Show all posts
Showing posts with label Publishing. Show all posts

Friday, September 21, 2012

An Erotic Romance Writer's Roots

AKA "Thanks, Grandpa"

By Vonna Harper

Dedicating a book is, I suspect, something most writers enjoy doing. It’s certainly true for me.

But think about it for a minute. Here I am, one of Ellora’s Cave’s pioneer (does that mean old?) contributors, thanking her grandfather. No, it has nothing to do with him giving me the birds and bees lecture or—okay, not going there.

Homer Eon Flint (Flindt) www.HomerEonFlint.com was murdered when my mother was only five so he was never part of my world. And yet he was.

Grandpa was a writer. I give him full credit for what writing genes I have (not sure what he’d think of a granddaughter who writes erotic romance and erotica) and am extraordinarily proud of what he accomplished in his thirty-six years of life. He produced three children, but that’s not what I’m talking about. In my possession (I’m the oldest grandchild, so pulled rank) is a precious stack of 1920s pulp magazines containing his science and speculative fiction short stories and novellas. I’m also caretaker of his one book, The Blind Spot, and the manuscripts that never found a publisher—proof that certain realities of the publishing world haven’t changed. As a teenager, I’d hold the magazines with their sexy covers of women in jeopardy, handsome heroes, and evil doers and be in awe of his creativity. He wrote of distant worlds, political unrest, scientific advances and inventions, not sex. Even then I had the itch, the drive, the need to do creative things with words, and here was proof that someone I’m related to could show me the way. He’d climbed the mountain I was just beginning to comprehend.

How I wish we could have talked shop. Compared and contrasted the writing world he lived in with mine. Thanks to the various correspondence Nana kept all her life, I have some idea what his publishing world was like. I’m convinced he’d totally embrace electronic publishing. I’m not sure what he’d think of what Ellora’s Cave offers readers—a little beyond his comfort zone I suspect.

How he’d love computers, word processing, the Internet, etc. I can just see him pitching his manual typewriter out the nearest window. He’d never again have to ship his manuscripts to publishers, editors or agents. (Yes, there were agents in the 1920s.) No more having to go to the local newspaper and pay to have copies made. No more working in isolation except for the one writer living close enough that they could walk to each other’s house.

Sounds like he’d envy what I take for granted, right? Not necessarily. He was in the right place at the right time when the movie industry started to take hold, and he sold more than a half dozen film treatments to at least two companies. Back then (perhaps because he was a regular contributor to the pulps) he was accustomed to having his work read within a matter of days. If he had to wait (horrors!) a month, he’d fire off a to-the-point letter and receive an apology. Even rejections were couched in sincere apology and he was always encouraged to submit again.

When he sold, checks arrived with the acceptance letter. No contracts.

As for the pay, how’s this for an example. (To clarify, the pulps were read by millions.) His last story sold a month before his death—for $400. In 1924. 10,000 words. How much is that in 2012 value?

Instead of bringing him into his future and my present, maybe I should try to time travel back to his day. One thing I’d take to show him is Grandfather Lost, the biography I wrote in honor of him using my real name, Vella Munn.

* * *
www.vonnaharper.com
http://vellamunn.com/books_main.html

Friday, June 22, 2012

Book ATM


The EBM



by Raelene Gorlinsky

Have you seen the Espresso Book Machine? It has been described as "an ATM for books". Yep, push a few buttons and a print book pops out the slot!

The system accesses a massive inventory of print books: public domain books via Google plus the print backlist of a growing number of participating publishers (including EC very soon).

A customer walks into a store or library and wants a print book and can’t find it on the shelf? If that store has an EBM, and that print book is in the available catalog, the customer can just request the book, go get something to drink at the bookstore’s coffee shop, and come back in five or ten minutes to pick up their book! And the book is a very nice quality with a four-color cover.
So far there are over 80 machines in bookstores, libraries and universities around the world. Powell's, the famous ginormous used bookstore in Portland, Oregon, has one. There are several at universities in Canada. There are two in Abu Dhabi, UAE; one in China, two in Japan, two in Australia. The Library of Alexandria in Egypt has three!
It's fun to watch this thing in operation. I got to see it at the McNally Jackson Bookstore during a recent trip to New York. You can watch it on YouTube: http://www.youtube.com/watch?v=Q946sfGLxm4

Wednesday, May 2, 2012

Publishing explained with action figures

http://www.youtube.com/watch?feature=player_embedded&v=B0yO9AM8vDw

First-time author James Renner (The Man from Primrose Lane) uses Star Wars figures to explain the process of getting an agent and then a publisher, and then having your print books appear in bookstores. (The author is R2D2. Han Solo is the reader, the most important person in the chain.)

James lives here in Akron, where EC is located!

Friday, March 30, 2012

The Future of Books?

I don't know where I got this, it originated on some other blog I think. If you identify it, please let me know. Nine authors were asked "In three words, what is the future of books?"

Old-fashioned souvenir editions ~ Seth Godin
EBOOKS ~ J.A. Konrath
Authors in control ~ Mark Coken
The Reader is ~ Barry Eisler
Story not Format ~ Dan Blank
More Diversity, Faster ~ Guy L. Gonzalez
Beyond the Page ~ Jane Friedman
Refuge from Social ~ Porter Anderson
Reader commissioned stories ~ Matt Gartland

Friday, November 11, 2011

Name Fame

by Raelene Gorlinsky

Authors keep hearing about "branding", about publicizing themselves, about engaging with readers to make their name known. Why? Because readers buy the books of authors they know, far more than they try books by authors they don't recognize. This has become even more critical with the explosion of ebooks and of self-publishing. There are so many more books to choose from now, and unfortunately some of them are not up to par. Therefore, many readers are even more inclined to stick with authors they already know or that are recommended to them by people they trust.

Several surveys have shown that one of the most critical elements a reader uses in electing to buy a book is author name recognition.

From 2010-2011 U.S. Book Consumer Demographics & Buying Behaviors Annual Review (Bowker): The author "is the key factor in both driving consumers to buy a book as well as making consumers aware of a particular book."

From the RWA's 2010 ROMstat Report, quoted in the November 2011 RWR: "50 percent of romance buyers stated the author was the reason for the book purchase."
From a survey of over 9000 people by the American Booksellers Association, 2009/2010, on how people choose books to buy:
1. Author reputation 52%
2. Personal recommendation 49%

Reported in Publishers Weekly in February 2007, a survey by the advertising firm Spier NY on American book-buying habits:
1. Friend’s recommendation 49%
2. Familiarity with author 45%

Any bookstore employee can tell you that it's quite common for a customer to ask for "the new book by...". The customer doesn't know the book title, may not know anything about the story, but they love this author and buy every new release, based solely on the author's name.

How about an illustration of this? An author in my local RWA chapter told us about an experiment she conducted. She's a well-established author, a New York Times bestseller, has a backlist of about three dozen books. She's not into self- or digital publishing, preferring the traditional print path, although her books now are of course also released in digital by her NY publishers. But she decided to try self-publishing to see how it works. She released a new story under her established pen name. She then released a book under a brand new pen name, with no connection to her other, well-known name. The first ebook sold 4000 in the first month; the second sold 8 copies. I'm sure her "voice" and style were the same in both stories. Readers found and bought the first one because they were looking for books by her and knew they'd like what they bought. Almost no one took a chance on an unknown name in the massive sea of unknown new authors available in digital. Name recognition at work.

So build your name as a "brand" people will recognize--website, blog, Facebook, Twitter, attendance at reader conventions. Establish a persona readers will like and identify with, and get out there and interact!

Wednesday, August 24, 2011

Not as E as We Think

by Raelene Gorlinsky

I've got hundreds of unread print books on my TBR shelves, there is no more room left. So I made a conscious decision last month that I would buy only digital books from now on. Well, I tried...

I just assumed all the books I want would be available in digital format. Those of us in the epub industry and those readers who are heavily into digital tend to forget that many publishers are not yet with us. The big publishers still often delay the release of the digital version of new books until later than the print release (especially for hardcover books). And although they talk about digitizing their backlist, they are still nowhere near getting any significant portion actually available in ebook format.

What happened with the twelve books on my "buy" list last month? The list was a mix of new releases and older (but not more than three years old), fiction and nonfiction, well-known and new authors. To my surprise and annoyance, only FOUR of the twelve books were available in e. Those four were all new fiction releases that were also available in mass market paperback. And one of the ebooks was available only on Kindle; sorry, I buy ePub format. So I was able to get only 25% of my buy list as digital. I had to buy print for the rest.

This month looks like it may be almost as dissatisfying. I want to buy four books. One is available only in e, from a digital-first publisher, and I've bought it. Yay! One is a Harlequin category, not yet out, but I'm sure will be available in e. The other two--I don't know. One was a mass market release six months ago from a big NY publisher, but I haven't managed to find it in any digital format except Kindle. Hey, publisher, do you realize how much of the e market you are missing by not offering ePub and PDF? The other is an upcoming fiction hardcover, I don't have high hopes for a same-release-date ePub digital version.

I'll keep trying--when possible, I'll buy an ebook instead of a print book. But looks like I'm going to have to find more space on those TBR shelves.

What's your experience? What percentage of the books you buy are digital versus print? If you can't find it in digital, do you buy print or refuse to buy?

Sunday, August 21, 2011

Renaissance in Publishing?

by Raelene Gorlinsky

The July 25, 2011, issue of Publishers Weekly had an insightful opinion article by Ashley Rindsberg, "Renaissance: Are niches the new mass market?" He summarized the changes of the past two decades and explains just how the whole basis of the publishing industry has been shaken. Some excerpts:

< Through all the panic and hysteria that's gripped the publishing world over the past few years, and in spite of academic musings on the fate of the book, we're witnessing an unprecedented flourishing of creativity and innovation in the book business. [...]

Social media has made "the niche" the all-important marketing concept today. Readers now gather around shared passions and interests [...] book production and distribution has finally become advanced enough to deliver titles directly to individual niches in a cost-effective way.

In short, a new publishing industry is emerging. For decades the book business has been dominated by what's become the "big six" corporate publishers and the major bookstore chains. [...] Given the high fixed costs of producing and selling a book, it became critical for big publishers to invest in titles that could nto only bring a return on the investment but subsidize the other titles that didn't sell. Thus, the focus of much of the book industry began to shift away from the kind of magical books that enrich our culture, to those books that could sell big. And how do publishers predict what will sell? By looking at what's already sold, of course.

In this way the book industry began to churn out expensive, generic titles that merely mimicked previous bestsellers. And smaller, niche-oriented titles--books that [...] lacked that "mass market" gloss--went unpublished or, ast best, were left for dead on the backlist.

Then, in the late 1980s, things started to change. Small publishers began using new digital publishing technologies--the era of "desktop publishing". In the mid 1990s, Internet sales, through services like Amazon, emerged. And now, in just the past few years, social networking and social media have changed the game; Google has scanned and made millions of books discoverable; digital print-on-demand has become practical and cost-effective; and most important, the Kindle, Nook and iPad have paved the way for an e-book future.
[...]
The current environment has all the makings of a renaissance for books. Even as the major publishing conglomerates contract, and retail chains like Borders flail, small and truly independent publishers are flourishing. >

Yep, I think that explains the success of Ellora's Cave and other indies and epubs like us. We target a specific market niche (such as erotic romance), and we understand that niche. We take chances on new authors and new styles within that niche, because we grasp what our readers may want and we cater to the diversity within that market and we provide value to those readers.

Of your recent reads, how many were those "megasellers for the masses" from major publishers, and how many were niche books from smaller publishers or the targeted genre lines of the big publishers?

Tuesday, May 24, 2011

Supporting Bookstores

An interesting article by M.J. Rose with advice from best-selling authors and from booksellers on what authors can and should do to support their local bookstores and improve local sales of their books.

http://publishingperspectives.com/2011/05/romancing-the-bookseller/

Tuesday, March 15, 2011

D.I.Y. or D.I.with a Publisher?

by Raelene Gorlinsky

Writers are now inundated with stories about how self-publishing will turn them into mega-selling authors, millions of copies of their e-books snapped up by slavering fans. This is based on the very admirable success of a very few authors. But can the same thing be achieved by everyone or anyone?

An aspiring author needs to reseach the publishing industry and all the options, analyze what fits their style and their situation, what skills they bring to the table when it comes to all the things beyond the actual writing that need to be done to publish and promote a book. What would work best for them? Traditional big publishers? Digital-first publishers? Self-publishing? Or who knows what other options may become available.

Even supposing a book is in fact really good, there are lots of other factors in play besides the wonderful story and writing. One of the self-pubbed icons you constantly see mentioned is Amanda Hocking. When she realized she was being used in the "you too can easily become rich and famous by self-publishing" legend, she felt compelled to put some reality into this discussion. Writers considering self-publishing need to think seriously about her advice.

Some Things That Need to Be Said
http://amandahocking.blogspot.com/2011/03/some-things-that-need-to-be-said.html

What did she have to say? Please read the whole (fairly lengthy) article, but here are some highlights.

~ "others will be as successful as I've been, some even more so - I don't think it will happen that often."
~ "Some books and authors are best sellers, but most aren't."
~ "Self-publishing is great, but it's not easy. Most people who do it will not get rich."
~ "it's harder to be a best seller self-publishing than it is with a house."
~ "I don't think people really grasp how much work I do. [...] This is literally years of work you're seeing. And hours and hours of work each day. The amount of time and energy I put into marketing is exhausting."
~ "There is so much stress in doing it all yourself. The editing is never good enough. And finding an editor isn't as easy everyone thinks."
~ "ebooks make up at best 20% of the market. Print books make up the other 80%. Traditional publishers still control the largest part of the market, and they will - for a long time, maybe forever."
~ "I just don't understand writers animosity against publishers. [...] Publishers have done really great things for a really long time. They aren't some big bad evil entity trying to kill literature or writers."

To me, Amanda Hocking makes a lot of sense. She makes it clear she's been writing and trying to be published for years before she hit success, that the success is the result of an enormous amount of hard work. And she has a realistic view of the publishing industry, in all its many permutations.

Here's a short article and video that again stress that writers should figure out whether self-publishing is a good fit for them or not:

Publishing Perspectives: Is D.I.Y. or Self-Publishing Best Suited to Energetic Extroverts?
http://publishingperspectives.com/2011/03/is-diy-or-self-publishing-best-energetic-extroverts/

The article points out the most important attributes of successful sel-published authors, and that D.I.Y. is not going to work for everyone.
~ They already had established reputations via working with traditional publishers. (They've already got an established and large fan base.)
~ They are self-motivated, high-energy, charismatic individuals. (Which does not describe most authors, as writing is mainly a quiet, largely introverted job.)

If that truly describes you, then you may indeed be able to hit self-publishing success. But if you are in a different place in your career, or you don't have the time and interest and personality to take on all the publishing tasks, you should find the alternative that will work best for you.

Monday, November 15, 2010

Story - Book

by Raelene Gorlinsky

I'm trying to watch my words. To me, a "book" can be any format. But most people still associate that word with print on paper. If I am talking about a specific product, then I differentiate--a print book, an ebook, an audio book (and who knows what could come in future). But here's the important point--what authors, editors and publishers deal with is not a "book", it is a story. That's what we care about--the words themselves, the ideas and information they convey. Authors write a story, editors acquire and edit a story, publishing companies produce and distribute a story. That story will be provided to readers in a variety of formats, but that doesn't necessarily change the story itself.

One of my favorite sayings is All words are pegs to hang ideas on. The terms you use have an effect on people's perceptions, sometimes beyond what you intend. It's like the old argument about using "man" or "mankind" to describe human beings as a whole. Yes, logically we all know that word means everyone, regardless of gender. But what it conveys subconsciously is that males represent the world, are the important people, and women are subsidiary. The underlying implications of words are more often limiting rather than inclusive.

So I'm trying to remember to use "story" instead of "book". Because that's what is important--the story you are telling, not the format in which the story appears.

Monday, November 1, 2010

It's a Small World--Help Keep It Clean

By Grace Bradley, EC editor

Despite how large the publishing industry seems, in actuality it is very, very small. This business relies heavily on networking—Facebook, Twitter, blogs, personal relationships—and as a result we are all very well connected. This is an excellent thing…most of the time. We become so comfortable in our own little “bubbles”, not thinking for a moment that what we say outright (meaning what we type) or imply will go far beyond the regular visitors to our blogs, our friends on Facebook and our followers on Twitter. Remember the part about personal relationships? That’s where your personal business ends up receiving a much larger audience than you intended.

A recent incident led me to write this blog. I received an email from someone in my network (which is extensive—when you’ve been in this business for a while you get to know a lot of people) who thought I might find something “interesting”. She had been directed to a particular blog by someone in her network because that person thought she would find the little tidbit “interesting”. Without going into detail, the blog in question aired some insecurities an author had, along with the author’s personal take on what led her to be in that position. Not only was her perception of reality not quite on the mark, but to make matters worse, negative comments followed—none of them made anonymously. So I’m sure you can see how this downward spiral is forming. I am now aware of several authors’ general negativity and harsh comments about an industry they are a part of. If I were a writer, I wouldn’t want my name associated with negative thoughts or actions because Big Brother is watching. But that’s just me.

The publishing business is tough and anyone who is in it knows it requires a tough skin. You must be able to accept criticism, constructive though it may be, on something you’ve poured your heart into. You have to be able to accept “no” when everything in you is screaming, “yes, yes, yes” (you’re thinking about an orgasm right now, aren’t you?). You have to adhere to your publisher’s policies, your editor’s schedule, your editor’s evaluation of your work, even if you don’t agree. You have to be flexible and understand that unforeseen changes occur in business and you have to roll with those changes.

Are you allowed to be frustrated, heartbroken, incensed? Absolutely. We’re all human, after all. Should you post these reactions in public? Absolutely not. Remember how small this big industry is. So share your concerns with a friend, a spouse, a fellow writer (via email or on the phone, please), the poor soul who is unfortunate enough to be stuck behind you in a long line at the grocery store (of course, assuming they aren’t in the industry…just how small can it be, right?). And the best solution? Take your concerns to your editor or publisher. I know that I would much rather have an author express their concern directly to me so that I have an opportunity to ease their distress and do what I can to reassure and help them.

If you take anything away from what I’ve written, it should be this: Do not publicly post anything you would not want your editor or publisher (or authors and readers you don’t know) to see. While editors don’t spend our time trolling the net looking for “authors behaving badly”—we simply don’t have the time or desire—Google Alerts set to our publishing house and networking contacts are quick to point out what we’re missing while busy working on your books. My best advice? Keep it clean, people. :-)

Monday, October 25, 2010

Stop, You're Killing Me!

by Raelene Gorlinsky

Are you a mystery fan or fanatic? Then you must check out this website!
Stop, You're Killing Me! : A website to die for...if you love mysteries.
http://www.stopyourekillingme.com/

They list 38,000 titles, 3400 authors, all the major mystery book awards. You can look up books by time period or by location. Amazingly, even by character name or by the job of the main characters in series books! You're into gardening and want to read mysteries involving an herbalist? Want stories set in Australia? In the Baroque period? You know the books were about a PI named Haggerty? Look it up here! There's even a Diversity Index - find stories about seniors or gypsies.

There are also book reviews, "if you like xxx, then you may like yyy" recommendations, and a newsletter to notify you of new mysteries being published. Alas, it looks like they do not include digital-only books.

Wow, how much effort and research does it take to maintain all this?! I am in total awe. Please, could someone do this for other genres?

Wednesday, October 13, 2010

Twitter's Where it's @

By Kelli "@EditMeThis" Collins

Here at EC, we heartily support excessive author pimpage. Gotta sell those books, after all. Authors have bills to pay, mouths to feed, sex toys research materials to buy. And of course, it’s a genuine delight to pimp our authors when they rock harder than a porch full of assisted-living residents. Though really, EC authors promote themselves and each other better than we ever could. They’re everywhere. Websites, MySpace, Facebook, the blogosphere, at conferences and conventions, etc.

For fans who can’t afford conferences, have gotten in trouble for reading blogs at work and are just too darn sophisticated for Facebook, try Twitter. Tons of your fave EC authors are tweeting away daily, sharing everything from upcoming release dates to writing angst to short stories told in 140-character increments. You just sign up and lurk, pretty much. No communication required (though if you’re inclined, you’ll find most authors more than willing to tweet with fans).

The following is not a full list of EC authors; likely not even a full list of EC authors represented on Twitter. But it’s a hella great start. Don’t forget to follow @ellorascave for the latest releases, calls for submissions, etc. (And authors, if you don’t see your @name, comment so we can follow you!)

AJLlewellyn
Amanda_Feral
AmandaSidhe
AmyRedwood
annabeljoseph
AnneDouglas
AnneRainey
annycook
AriThatcher
ashleyladd
AuthorJuniper (Juniper Bell)
authorKJReed
Author_LRosario
brandi_evans
BrynnPaulin
caismith (1/2 of Marilu Mann)
caracarnes
caramckenna
cariquinn
CCRomance (Catherine Chernow)
Charlotte_Stein
Christine_dAbo
CianaStone
CindySPape
DaisyDDobbs
DakotaCassidy
DarahLace
dianahunter
DianeFarr
DebraGlass
DelDryden
dianahunter
emmapetersen
EveCassidy
franleeromance
francescahawley
hahiestand (Heather Hiestand)
HavenIsley
heatherpens (Heather Howard)
jaciburton
jaidblack
janspringer
JayneRylon
jkcoi
JocelynModo
JoryStrong
jr_patrick
JuliaDevlin
K8JohnsonAuthor (Cat Marsters)
kailyhart
karenerickson
KateRothwell
KatieAllenBooks
katiereus
KB_Alan
Kele_Moon
KellyJamieson
KimKnox
Kris_Starr
Kristin_Daniels
laceysavage
LaurannDohner
lauren_fraser
LexValentine
lexxie_couper
LilliFeisty
LindaBleser
LiseFuller
lissamatthews
lylasinclair
lynneconnolly
Mandymroth
MariCarr
marifreeman
MarisaChenery
Marissa_Alwin
MauraAnderson
MelSchroeder
McKennaErotica (Pam McKenna)
michellepolaris
Minx_Malone
msmissyjane
mystikwriter (Heather Holland)
O_Waite (Olivia Waite)
PaigeTyler
Paisley_Smith
Pararomance (Renee Field)
RebeccaAiries
reginacarlysle
RG_Alexander
RhianCahill
robinlrotham
RuthKerce
ruttanamy
samcheever
savannahstuart
scarscoromance (Scarlett Scott)
ShaylaKersten
ShelleyMunro
Shilohwalker
simonebern
skaneauthor (Sam Kane)
sommer_marsden
StephanieJulian
TarotByArwen (1/2 of Marilu Mann)
TielleStClare
tinadonahue
TitaniaLadley
TracyCP (Tracy Cooper-Posey)
traceyhkitts
TrinaMLee
tj_michaels
VivianArend
VoireyLinger
VonnaHarper
WylieKinson
WynterDaniels

Monday, October 4, 2010

Do You Know Where Your Books Are Tonight?

by Raelene Gorlinsky

Where are your books, and how are they being sold? You do find that out when considering a publisher or publishing contract, right? As in, what formats will they be available in, what webstores will offer them for sale, and in what parts of the world will they be available or not available?

After all, you want to sell as many copies as possible, which means being sure that readers can find and purchase your books with relative ease. So you need to understand things like territorial rights, distribution, online vendors, ebook formats, and DRM.

Here's an example of the WRONG way for a publisher to sell your books. Both these readers were trying to get the same ebook. It is a novella by a very popular author, available only in digital format, not print. (NOT an EC book.)

Reader #1 contacted EC in desperation. She knew we didn't publish the book, but she is a happy customer of EC and knew our service is excellent and helpful. She'd tried emailing the publisher and the ebook vendors selling the book, and gotten no assistance. Please, could we help her understand?

She is located outside the U.S., and when she tried to purchase the ebook from vendor sites, received messages that it was not available in her country. Huh? It's an ebook, she said, she just wants to download it, how can it be not available? So I explained "territorial rights" to her, that publishers contract for the right to sell the book either worldwide or in specific regions. In this case, apparently the publisher has only North American or U.S. or some other limited territorial rights. They cannot legally sell the book outside the specific region(s). The e-vendor systems check your location when you click to buy and cannot allow a sale outside the territory. [BTW, EC always contracts worldwide rights.] Oh, and because the ebook was DRMed, it was not possible for her to get a US friend to buy the ebook and email the file to her--the DRM makes that impossible.

Reader #2 was also desperate for the same ebook. She searched, and found it was only available on a few e-vendor sites, and in only three digital formats. None were the format she needed, and all were DRM-protected. Which meant she could not print it to read it, could not convert it to another format, could not move it from her PC to any other device. In other words, the digital formats available were useless to her.

I think you can guess what is unfortunately the readers' easiest or only solution for both these problems -- pirate sites. NOT what an author or publisher wants to happen, but the only way readers can get the book in these conditions.

Luckily, these were both honest and ethical people. Yes, they might be driven to downloading from a pirate site, but neither wanted to cheat the author out of her income from the book, did not want to "steal" it. Reader #1 swore she was mailing a check directly to the author. Reader #2 went back to a vendor site and purchased the ebook; she didn't bother downloading the to-her-unusable format, but her action assured that the publisher and author would receive payment for one purchased copy.

So if you as an author want to maximize your sales potential and decrease pirating, you need to pay attention to where and how your books are being sold. Make sure your readers can buy them!

(BTW, there is a slightly happier ending for anyone in Reader#2's position. This ebook is now offered at more e-vendors and in additional formats, including ePub, although it is still DRM-ed.)

Thursday, September 30, 2010

Your Favorite Banned Books

As we reminded you earlier, this is Banned Books Week, an annual event to encourage freedom of speech and reading and to discourage censorship. This year's slogan is "Think for Yourself and Let Others Do the Same."

We, along with other writing-oriented blogs, are inviting you to post a review of your favorite banned book in Comments here. You can find a list of banned books on the American Library Association website.

So we'll kick it off with a couple of reviews from our own editors.

Helen:
When I looked at the “Top 100 Banned/Challenged Books: 2000-2009” list, I was totally gob smacked. Many, many of these books are on assigned reading lists for high school students here in Australia. (High school starts at the seventh grade here, not the ninth.)

And not just books from lower down the list. Harry Potter (#1), The Chocolate War (#3), Of Mice and Men (#5), Huckleberry Finn (#14), Forever (#16), Go Ask Alice (#18), and Catcher in the Rye (#19) are compulsory reading books. I counted 20 I had read for class in school without even scratching my head to remember.

But the book I’d like to talk about is Pillars of the Earth by Ken Follett. This is an incredible book with detailed historical research (early 12th century Britain), fascinating facts about architecture and medieval life at different levels of society from the highest to the lowly, absolutely brilliant characters — engaging, well-drawn, fully rounded and the kind of people you love or hate or both in the same breath.

I cannot imagine why this book was banned. Yes, it has sex in it, but it is by no means erotic. Yes, at times it is a tad disrespectful of the established church of those days, but it is a sympathetic disrespect, not at all mean or nasty. There is some magic in it, but nothing evil. Basically it is a stunningly well-written epic novel that is ideal vacation—or long plane trip—reading. And the Cathedral they build is every bit as much a real character as the humans in the book.

This book gets 10/10 for characters, for plot, for story, for historical realism, and for romance. I have read and reread this book many times.

Raelene:
And Tango Makes Three by Justin Richardson & Peter Parnell (2005, Simon & Schuster)
This picture book is about real penguins at the Central Park Zoo in New York City. I'm not a big fan of anthropomorphizing animal actions--I wasn't fond of a few lines like "They had no baby chick to feed and cuddle and love." But overall this charming story focuses on instinctive penguin behavior in pair-bonding and that both parents share the nest-sitting and chick-care duties. It takes two full-time adults to provide enough warmth, food and protection to give a chick any chance of survival. In this case, it's two male penguins. Their keeper noticed that they were a "pair" and even built a nest; he placed an orphaned egg in the nest to see if they'd care for it, since it would not have survived otherwise. And it doesn't seem odd that they do indeed hatch the egg and raise the chick, since the males are only doing exactly what they'd each do anyway with a female partner. For penguin chick-raising, two daddies perform the same as a mommy and a daddy in their parental duties.

Same-sex attachments have been documented in a number of species. And in many studied cases, it is not a sexual attachment, it seems more based on the need to have a partner to survive in tough conditions. This true story has been demonized by those who feel it "promotes" or "condones" homosexual relations, who read between the lines or inflate what is really there. If you must compare it to a human situation, it is two men adopting and successfully raising a child. As the story describes to a child all the things adults do to care for babies, it is a celebration of parenthood. As the story says, they were "just like all the other penguin families."

Kelli:
Forever by Judy Blume

“Ms. Kwiatkowski, would you like to come to the front of the room and read some of your book for the class?”

“Um…no.”

Fuck no! No no no! Please God, oh shit no!

I was only twelve years old when this conversation took place but, thanks to my billions of older brothers and sisters, already well versed in the cursing arts.

The book in question was Forever, by Judy Blume. And I was reading it in class. In math class. Instead of paying attention. The reason for my colorful inner monologue? I had just gotten to the good part. You know. The part where Katherine and Michael do it (!!*teehee*!!) on his sister’s bedroom floor (on a multi-colored towel thoughtfully provided by Michael in case any bleeding occurred).

Of course, I had no idea this was about as far from “good” as sex could get. I was twelve, what do you want from me? And [spoiler alert! if you’re one of the three people who haven’t read this book] Michael and Katherine even break up in the end, which I realize now was the point of the title but as an impressionable pre-teen, was I pissed!

I learned years later how realistic Katherine and Michael’s timeless story is, however. In fact, if more schools and libraries allowed it space on their shelves, Forever probably would have scared some young tarts off sex until they were old enough to handle it emotionally. Because Ms. Blume had it right. For most of us, it does hurt the first time. We do indeed bleed (though not the buckets of blood I’d previously imagined). And while first loves seldom last forever, the emotions tied to them are everlasting. I credit Ms. Blume for helping me understand the difference, and teaching me to let go of the former by embracing the latter.

Oh, and that teacher? She took my book away, forcing me to save my allowance for three whole weeks to buy another copy! For all I know, she read the thing, possibly making me the reason it was later banned in our junior high school library (the reason I had to buy a copy to begin with; damn thing was always checked out). If that’s the case, um…sorry, Ms. Blume.

Meghan:
It's So Amazing by Robie Harris, with (wonderful) illustrations by Michael Emberley.

I have a seven-year-old daughter, and about two years ago we got the dreaded question: "Mommy, where do babies come from?" So we bought this book. And I could see right away why people would want to ban it--it's aimed at children and, horror of horrors, it's a really lovely, inclusive book about where babies come from. It starts with a discussion of biology, clearly and concisely addressing vaginas and penises, and skipping all the horrible "va-jay-jay" and "wee-wee" nonsense that you sometimes find in books aimed at children. It talks about how people get pregnant, how babies develop, and how families end up with babies.

It addresses different types of families (a mommy and a daddy, a mommy or daddy alone, two mommies, two daddies...), adoption, and medically assisted pregnancies in easy-to-understand terms. It manages to talk about complex, loaded topics like masturbation, people who get pregnant without meaning to and even STDs (including HIV and AIDS) in a very non-judgmental, child-appropriate way.

The book is presented almost like a comic book, with fantastic, colorful illustrations. It's narrated by a bird who's totally excited about everything...and a bee who's sort of embarrassed by the whole thing. The funny, awkward parts of sex and biology aren't glossed over, but are used to lighten and liven up reading material that could otherwise be dry.

Obviously, when you have a book that provides kids with loads of useful, age-appropriate information, the right thing to do is ban it as quickly as possible! Or you could do what I did--run out and by a copy for the kid in your life, and then spend some time reading it with them. We've gone over the book in full, and Maura keeps it in her bedroom, looking at it on a regular basis, and sometimes coming back to ask questions about this or that chapter. Engaged reading, age-appropriate material, and a kid who's educated about her body. What could be better?

Wednesday, September 29, 2010

Books About Bad Things

by Raelene Gorlinsky

I used to complain about how so much of the currently popular YA fiction is dark, depressing, violent, frightening. It's either disturbingly dystopian or about the worst aspects of contemporary life. Why would we want to expose our children to that, and what is it doing to them emotionally? Then a librarian friend who specializes in YA books and really seems to understand the teenage mentality explained how these books help today's kids cope with the real fears in their world.

Now Janet Reid, a literary agent, has very eloquently defended this literature for our children.
http://jetreidliterary.blogspot.com/2010/09/i-believe-this-with-all-my-heart.html

"I think it is incredibly important that people who are learning how to live in the world get to read about people like themselves.

And very bad things can happen to people.

Let me be specific: I think it's incredibly important that books for teenagers about horrible subjects - rape, incest, school shootings, death - get published. And even more important that those books are available in libraries so kids can read them even if they can't afford to buy them, or don't want anyone to know they are reading them.

If I had my way, if YOU had your way, no kid would ever need to hear or see or know anything about rape, incest, school shootings, death. Not the kids we love. Not even the kids we don't.

But we live in the real world. A world we wish was different. But it's not. It is what it is."

I still don't enjoy reading these types of books myself--I read for escapism--but I no longer worry about those who do. Janet's right, we can't and shouldn't shield teenagers from reality. That would only lead them to think that if one of these awful things happens to them, they are alone in their experience, have nowhere to find support, and should feel guilty and ashamed for being the victim. Instead, much as we want to protect them, we have to give them the opportunity to face the bad things that can happen in life and learn to cope and survive. And if fiction about others in such a situation can do that, then I'm now all for it.

Tuesday, September 28, 2010

2009 Ten Most Challenged Books

To challenge a book is to request that it be banned from libraries, including school libraries, because it is "inappropriate". Inappropriate in what way, for whom? And who is to say what is inappropriate for me to read, or for me to decide my child can read.

Says Barbara Jones, director of ALA's office for intellectual freedom, "Even though not every book will be right for every reader, the ability to read, speak, think and express ourselves freely are core American values. Protecting one of our most fundamental rights - the freedom to read - means respecting each other's differences and the right of all people to choose for themselves what they and their families read."

According to the American Library Association (ALA), many hundreds of challenges are filed each year. The ALA records eighty-one instances in which materials were actually removed from schools and libraries in 2009.

According to the ALA, the ten most challenged titles of 2009 were:

1. TTYL; TTFN; L8R, G8R (series) by Lauren Myracle
Reasons: Nudity, Sexually Explicit, Offensive Language, Unsuited to Age Group, Drugs

2. And Tango Makes Three by Peter Parnell and Justin Richardson
Reasons: Homosexuality
[See review of this book on this blog Thursday.]

3. The Perks of Being A Wallflower by Stephen Chbosky
Reasons: Homosexuality, Sexually Explicit, Anti-Family, Offensive Language, Religious Viewpoint, Unsuited to Age Group, Drugs, Suicide

4. To Kill a Mockingbird by Harper Lee
Reasons: Racism, Offensive Language, Unsuited to Age Group

5. Twilight (series) by Stephenie Meyer
Reasons: Sexually Explicit, Religious Viewpoint, Unsuited to Age Group

6. The Catcher in the Rye by JD Salinger
Reasons: Sexually Explicit, Offensive Language, Unsuited to Age Group

7. My Sister's Keeper by Jodi Picoult
Reasons: Sexism, Homosexuality, Sexually Explicit, Offensive Language, Religious Viewpoint, Unsuited to Age Group, Drugs, Suicide, Violence

8. The Earth, My Butt, and Other Big, Round Things by Carolyn Mackler
Reasons: Sexually Explicit, Offensive Language, Unsuited to Age Group

9. The Color Purple by Alice Walker
Reasons: Sexually Explicit, Offensive Language, Unsuited to Age Group

10. The Chocolate War by Robert Cormier
Reasons: Nudity, Sexually Explicit, Offensive Language, Unsuited to Age Group

Saturday, September 25, 2010

Favorite Banned Book Blogs

Banned Books Week is September 25 - October 2, 2010. This annual event, sponsored by a host of bookseller, library, and publishing organizations, celebrates the freedom to read and highlights the harms of censorship.

This year's slogan is "Think for yourself and let others do the same."

Like a number of other blogs, Redlines and Deadlines will celebrate Banned Books Week on Thursday, September 30, by asking people to post reviews of their favorite banned/challenged books. Post in Comments here, post on your own blog if you have one. Please participate with us.

You can find a list of the top 100 banned or challenged books of the last ten years on the American Library Association website:
http://www.ala.org/ala/issuesadvocacy/banned/frequentlychallenged/challengedbydecade/2000_2009/

If you've never looked at this list, you'll be stunned by what some people think you should not be allowed to read.

Friday, August 20, 2010

Literary Agents - Do You Need One?

HOW TO FIND A (REAL!) LITERARY AGENT
by A.C. Crispin

On the Science Fiction & Fantasy Writers of America (SFWA) website
http://www.sfwa.org/for-authors/writer-beware/real/

If you're an aspiring author or an unagented pubbed author, have you wondered whether it's true that you really need an agent? And what an agent would do for you and your career?

This is an informative and detailed article, if you're thinking about an agent I suggest you read the whole thing. It has a lot of warnings and tips to help you avoid a bad agent.

The author starts by pointing out when you DON'T need an agent:
~ If you write poetry, short stories, articles or essays.
~ If you are aiming at e-book, POD, niche, specialty, or regional publication. These publishers take unagented work.
~ Some non-fiction publishers take unagented work; check the publisher guidelines.

The article covers:
• Introduction
• Agents – When Do You Need One?
• Getting Started – Compiling a List, Researching Agent Listings, and Following Submission Guidelines
• How to Recognize Real Agents
• Writing the Synopsis
• Writing the Query Letter
• Sending Out Your Query Letters
• Playing the Waiting Game
• Make Sure Your Manuscript Lives Up to Your Query
• The Psychology of Querying

Friday, May 28, 2010

Quote of the Day

Editor Lee Boudreaux of Random House:
We had an intern one summer at Random House who said to me at the end of the summer, “It dawned on me; I could be making more money anywhere else.” And I said, “You are surrounded by people who would be making more money doing their job anywhere else.”

Book publishing is not where you go to get rich--as an author, as an agent, as an editor, as a salesman, as a publicist, none of it. But that means it is staffed completely by people who are committed to the idea of books, and getting them out there in the world to be read, and making those books as good as they can be, and making them reach as many people as they can.

http://www.planetblacksburg.com/2010/05/an-interview-with-fiction-edit.php