I have met some fantastic editors from many publishers, and learned a lot from them. And here at Ellora's Cave Publishing we are very proud of our editors and of our editorial standards. The editing quality of our books has been praised by big NY publishing companies.
So we're going to run a weekly feature to let you see "inside" some of our editorial staff. Learn what inspires them about editing and books, what their pet peeves are regarding submission, what they like to read. We'll start with...
KelliK
What is your background and experience in editing?
My editing background comes from a career in journalism, which didn’t begin in the editing field. I was a writer before the opportunity to become a lowly copy editor presented itself. I switched careers, and with the endlessly patient support and tutelage of my editor, worked my way up to associate editor.
Four years ago, my former editor wrote a cover story about Ellora’s Cave for my newspaper. I was inspired by the story and contacted EC about part-time contract editing work.
Four years later, I’m still working for EC and loving it so much that I wish I could edit books full-time. I’ve had dozens of trials and tribulations along the way, and with the help of my fellow editors and the seldom-seen but greatly appreciated final copy editors, I’ve become an editor who can be proud of her work. I’ve also learned as much from my authors as they have from me.
How would you describe your editing style?
Brutal. LOL! My authors would probably say I’m hard to please, extremely anal retentive and fixated on minutiae. I prefer to think of it as not letting anyone rest on their laurels. :-) When editing, I consider myself first and foremost an advocate for the reader, and I ask the questions I think readers are most likely to ask. I’m looking for understandable yet compelling, and I try to steer authors away from that which has been read or written too often.
It’s rare that I don’t request some revisions before accepting stories. I expect authors to learn from past mistakes, and should I find the same errors—whether grammar or narrative or world building—I require them to fix those items. I believe an acceptance should be a reward for hard-working authors who take their writing seriously.
What is your favorite thing about editing?
The power trip.
Kidding, kidding!
I’m just a more behind-the-scenes person. During high school, I always wanted to be the stage manager for school plays, not the actor. Some would say that suggests a need for control, but I really just wanted to be the one ensuring all the elements were in place for the actors. It comes down to wanting to feel helpful, which is still extremely important to me in every area of my life.
It’s the same with my authors. I’m more than content to let them shine…my satisfaction comes from knowing I helped them do so. And that satisfaction, for me, is immense. It’s my own personal “best feeling in the world”.
What are your pet peeves in books or submissions?
Spelling errors are number one. Hands-down. In this day and age, there’s simply no excuse. I’ve turned down projects based on the synopsis alone, due to excessive spelling errors.
Beyond that, there are the usual pet peeves…insufficient grammar skills, overdone plot lines, unfamiliarity with basic fiction-writing rules, lack of proper research. And in regards to potential EC submissions—sex for the sake of sex.
IMO, writing is a job and writers should arm themselves with the tools necessary to be successful. Those tools include grammar texts, formal education when possible, reference sites, research skills and knowing the market for which your book is targeted, to name but a few.
For personal reading, what are your favorite genres and all-time favorite books?
Oh man…how much time do you have? It might be easier to list the genres I don’t like. I haven’t read many self-help books…
I’m an ardent Chuck Palahniuk fan; have a fondness for horror in the vein of Brite and Lovecraft. I went through three copies of Charlotte’s Web by the time I was eight years old. My shelves are heavily lined with multiple titles from 19th century authors (Bronte sisters, Poe, Dickens, Twain, Irving, Hugo, Hawthorne, etc.).
A very, very short list of more “recent” all-time faves includes:
Lamb: The Gospel According to Biff, Christ’s Childhood Pal
The Catcher in the Rye
Fear and Loathing in Las Vegas
A Day in the Life of Ivan Denisovich
The Bell Jar
The Great Gatsby
The Magician’s Assistant
And lots of biographies.
Secret guilty pleasures: Shipwreck biographies. Really. Probably has something to do with growing up surrounded by the Great Lakes. And photography collections; Annie Leibovitz, Herb Ritts and David LaChapelle are favorites, though I’ve some interesting ones by people you might not expect, like Dean Koontz and David Lynch.
12 comments:
LOL The power trip! KK is a fabulous editor who makes my stories shine like brand new copper pennies. Her encouragement, expectations, and insight help to make me the best writer I can be. Thank you, KK!
Brutal? You? Never! Thorough, encouraging, and brilliant? Absolutely!
I agree with Debra. KelliK is a fabulous editor. She keeps me on my toes and constantly amazed.
(And is it odd that I'm absolutely terrified I'll leave a glaring typo in this comment and Kelli will bring down the hammer?)
I haven't worked with Kelli very long yet, but I have to say, she rocks! She takes care of her authors, and is always there with an answer to a question, no matter how pesky.
Thanks for sharing your story, Kelli! No brutality at all. :-)
Kelli also has a wicked sense of humor and with her den of kittens, she needs it. Or it just be me that drives her nuts with my misplaced and dangling parts. lol
KyAnn
KK! Yay, KK! Yep, as you can probably guess, I'm another of Kelli's writers and have to second everything said here. She's just simply outstanding.
And KK? Working on my shipwreck/mermaid rescue story now! LOL -- I'm kidding. Maybe...
-- Sierra
sierradafoe.com
Am I the only one who thinks KK is brutal? But I swear it's in a good way. She's brutally honest. And I love that about her.
We love you Kelli! I definitely owe you a lot - you've made me a better writer and I thank you for it. :)
I'm just about to send KK a story for consideration for the first time since she became my editor. I can't wait for her to "brutalize" me, not just because of all the nice things said here, but also because of all the glowing things all of Kelli's Kittens say about her "behind her back" off-list. (Although, not being a complete masochist, I'm going to tripple proofread my piece again, lol, so hopefully I'll get the velvet whip and not the cat o'nine tails.)
You know, I'm beginning to wonder about some of my editorial staff... First there was the Helen's Frogpond group. Now Kelli's Kittens. I'm afraid to ask the other editors about their groups of authors. ;-) Gee, guess I'm going to have to think of a clever name for mine.
Raelene
Kelli has kicked me in the a** more than once. So... Yeah. I'd say she is brutal. She also is patient and understanding and makes your story the best it can be.
Misspellings are your pet peeve KK??? YIKES. It must be mind numbing working with my dyslexic texts... Sorry girl.
~Mari
Key Kittens, thank you for all the support and kind words. :) I don't know what I did to deserve any of you, but I'll try to keep doing it!
Can't let this one go untouched, can I?
Crack-the-whip-Kelli is adored by her litter of kittens for many reasons... primarily because she demands excellence in storytelling, presentation and professionalism. The results - happy writers and great books.
She also has the patience and humor needed to deal with the emotional ups and downs of neurotic writers (ahem, not me, personally, of course *cough*)and a nurturing way of guiding us through the process.
And she loves me best. *hee*
Kelli is a wonderful editor to work with. She's thorough when she goes through your manuscript, and will go so far as to explain why something should be a certain way if you don't understand it.
She gets a definite A+ from me for making a new author feel comfortable while going through the editing process. I'd work with her again in a heartbeat.
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