Two weeks ago, we listed for you the finalists in the UK Literary Review's Bad Sex in Fiction contest.
http://redlinesanddeadlines.blogspot.com/2012/12/bad-sex-in-fiction-award.html
The bad sex prize was established "to draw attention to the crude and often
perfunctory use of redundant passages of sexual description in the modern novel
– and to discourage it".
So the winner is...
Infrared by Nancy Huston
The author has said she hoped the win would "incite thousands of British women to take close-up photos of their lovers' bodies in all states of array and disarray."
Congratulations, Nancy, for winning the "most dreaded literary prize".
Showing posts with label Publishing News. Show all posts
Showing posts with label Publishing News. Show all posts
Friday, December 21, 2012
Monday, October 29, 2012
Romance Reader Stats from RWA
RWA commissions an annual study of the U.S. romance publishing industry
and romance readers. The 2011 information was just published in the
November 2012 Romance Writers Report magazine.
Industry sales information for 2011 is from Simba Information, Bowker Monthly Tracker and AAP:
(Of course, I'm always a bit leery of statistics when they don't tell me all the details of the study--like how many people polled, how selected, the demographics, etc.)
What do you find the most surprising or significant information from this study?
Industry sales information for 2011 is from Simba Information, Bowker Monthly Tracker and AAP:
- 2011 U.S. romance fiction revenue: $1.37 billion; 14.3% of consumer book market.
- Simba estimates that for 2012, the overall U.S. consumer book market will decrease by 3.7%, and the romance category will decrease to $1.34 billion (but be up to 14.5% of overall market).
- Ebook sales of romances were 44% of total units in first quarter 2012 (compared to 26% ebook sales in total book market); mass market accounted for 29%; trade paperback 17%
(Of course, I'm always a bit leery of statistics when they don't tell me all the details of the study--like how many people polled, how selected, the demographics, etc.)
- 91% of romance buyers are women
- about half of romance buyers are between the ages of 30 - 54
- 31% of romance buyers consider themselves "avid" readers; 44% consider themselves "frequent" readers
- Have been reading romance for more than twenty years: 57% of avid readers, 43% of frequent readers, 41% of occasional readers
- Element enjoyed most about romance novels: happy ending
- 94% of romance readers have read ebooks (either purchased or free)
- Top overall reason a romance buyer selects a book to purchase: likes the author (45%)
- "Very influential" reasons for selecting a romance to buy: enjoyed author's previous book, book is part of a series, book description, recommendation from trusted source.
- Not influential: promo items (postcards, trading cards, notepads, pens, calendars, bookmarks, etc)
- Online elements that influence purchase decision: online bookseller websites, reading about it/seeing it online, seeing it on a bestseller list, author website, seeing it discussed on Amazon
- How readers become aware of romance books (does not imply purchased -- just knew about a book): in-store display, read an excerpt online, recommendation from friend/relative, author's website, teaser chapter in other print book they were reading, online retailer recommendation on retailer site
What do you find the most surprising or significant information from this study?
Monday, October 15, 2012
International Book Fairs
by Raelene Gorlinsky
Today I'm on my way home from the Frankfurt Book Fair (as implied, in Frankfurt am Main, Germany). Editor Rebecca Hill and I represented EC at this industry event and had a busy, busy four days. My Friday blog post will talk about our experiences and excitement at FBF; today I'm discussing book fairs in general.
Frankfurt is the largest international book fair among many. London, Bologna, Abu Dhabi, Beijing, Sharjah, and on and on... The Frankfurt fair takes up five huge halls, a total of ten floors, of the massive complex here. Several thousand companies participate, representing all parts of the world, although half the fair space is occupied by German businesses. Our EC booth was in the International hall, which had twenty rows stretching the length of the building.
A book fair is a "trade" event--it is for professionals representing the many elements of the publishing industry to come together to conduct business and share information. It is very much not an event for authors, readers, bloggers, bookstores, and so forth--there are no activities for them, the business purpose of the fair is not aimed at them.
[Book Expo America is not really a "book fair" the way others labeled that are. BEA's main function is to provide a venue to promote/publicize new books to those who can influence reader purchases. There are author signings and readings; book promotion videos and talks; free books by the ton given away; sessions for bloggers, for reviewers, for aspiring authors, for bookstore people, for fanatic fans. In other words, the "audience" the event is trying to reach is the general reading public, not the publishing industry.]
So what is the business conducted at Frankfurt and other international book fairs?
(1) Rights sales and licensing: The main function of the Fair is for publishers to sell territorial and translation rights to other publishers, or to license book-related products. For example, Ellora's Cave publishes "worldwide English" in both digital and print; we don't produce our books in other languages. Publishers in other countries buy from us the right to translate and distribute our books (specific titles they select) in their language.
(2) Services: Does a publisher need to find a company to digitally format their books, print them, distribute them (digital or print), market them, ship them, advertise them? Create apps or enhanced ebooks or graphic novels? There are hundreds of companies at the Fair ready to convince you they are the best business partner for your company's needs.
(3) Information and education: Panels and presentations on things that affect the publishing industry. What are the changes and trends going on? What is impacting our markets? How do we predict or prepare for future reader interests? What are the new technologies? What are Amazon, Google, Apple, et al, doing next and how will it affect the whole industry?
A few famous authors come to speak. Arnold Schwartzenegger was here--but the intent of his appearance was not to convince you or me as a reader to buy a copy of his new book. His purpose was to promote his book in a way that would convince publishers outside North America that readers in their countries would love to read about him--and therefore, those publishers should buy translation or territorial rights from his U.S. publisher.
Friday is traditionally another type of "education" day at FBF. That's when university students in programs such as Publishing, Library Sciences or Literature come to try to learn about the industry they want to work in. We spoke to students from Germany, U.S., UK, France and Japan.
There is actually a "public" component to Frankfurt Book Fair. Tuesday through Friday are for business; Saturday and Sunday the halls are open to the general public (for an admission fee). They can come in and browse, see the displays of publishers. It looked like a few booths sold off their display wares. EC gives away any print books and promo items left by Saturday--it's good reader publicity, and it would be too expensive to ship stuff back home. But the main activity for the public was unrelated to books, despite being held at and in conjunction with the Book Fair. Because it's just a few weeks before Halloween, there were huge costume contests going on in the German halls. Imaginatively and elaborately dressed people everywhere... And the parking lots were filled with stalls selling food, clothing, jewelry, knick-knacks--not book-related, just sort of a general craft fair.
Today I'm on my way home from the Frankfurt Book Fair (as implied, in Frankfurt am Main, Germany). Editor Rebecca Hill and I represented EC at this industry event and had a busy, busy four days. My Friday blog post will talk about our experiences and excitement at FBF; today I'm discussing book fairs in general.
Frankfurt is the largest international book fair among many. London, Bologna, Abu Dhabi, Beijing, Sharjah, and on and on... The Frankfurt fair takes up five huge halls, a total of ten floors, of the massive complex here. Several thousand companies participate, representing all parts of the world, although half the fair space is occupied by German businesses. Our EC booth was in the International hall, which had twenty rows stretching the length of the building.
A book fair is a "trade" event--it is for professionals representing the many elements of the publishing industry to come together to conduct business and share information. It is very much not an event for authors, readers, bloggers, bookstores, and so forth--there are no activities for them, the business purpose of the fair is not aimed at them.
[Book Expo America is not really a "book fair" the way others labeled that are. BEA's main function is to provide a venue to promote/publicize new books to those who can influence reader purchases. There are author signings and readings; book promotion videos and talks; free books by the ton given away; sessions for bloggers, for reviewers, for aspiring authors, for bookstore people, for fanatic fans. In other words, the "audience" the event is trying to reach is the general reading public, not the publishing industry.]
So what is the business conducted at Frankfurt and other international book fairs?
(1) Rights sales and licensing: The main function of the Fair is for publishers to sell territorial and translation rights to other publishers, or to license book-related products. For example, Ellora's Cave publishes "worldwide English" in both digital and print; we don't produce our books in other languages. Publishers in other countries buy from us the right to translate and distribute our books (specific titles they select) in their language.
(2) Services: Does a publisher need to find a company to digitally format their books, print them, distribute them (digital or print), market them, ship them, advertise them? Create apps or enhanced ebooks or graphic novels? There are hundreds of companies at the Fair ready to convince you they are the best business partner for your company's needs.
(3) Information and education: Panels and presentations on things that affect the publishing industry. What are the changes and trends going on? What is impacting our markets? How do we predict or prepare for future reader interests? What are the new technologies? What are Amazon, Google, Apple, et al, doing next and how will it affect the whole industry?
A few famous authors come to speak. Arnold Schwartzenegger was here--but the intent of his appearance was not to convince you or me as a reader to buy a copy of his new book. His purpose was to promote his book in a way that would convince publishers outside North America that readers in their countries would love to read about him--and therefore, those publishers should buy translation or territorial rights from his U.S. publisher.
Friday is traditionally another type of "education" day at FBF. That's when university students in programs such as Publishing, Library Sciences or Literature come to try to learn about the industry they want to work in. We spoke to students from Germany, U.S., UK, France and Japan.
There is actually a "public" component to Frankfurt Book Fair. Tuesday through Friday are for business; Saturday and Sunday the halls are open to the general public (for an admission fee). They can come in and browse, see the displays of publishers. It looked like a few booths sold off their display wares. EC gives away any print books and promo items left by Saturday--it's good reader publicity, and it would be too expensive to ship stuff back home. But the main activity for the public was unrelated to books, despite being held at and in conjunction with the Book Fair. Because it's just a few weeks before Halloween, there were huge costume contests going on in the German halls. Imaginatively and elaborately dressed people everywhere... And the parking lots were filled with stalls selling food, clothing, jewelry, knick-knacks--not book-related, just sort of a general craft fair.
Monday, September 24, 2012
Banned Books Week 2012
September 30 through October 6 is Banned Books Week, "the only national celebration of the freedom to read". It is sponsored by the American Booksellers Foundation for Free Expression (http://www.abffe.org/?page=BBW). This is the thirtieth anniversary.
Support your right to write what you want, and have people read what they choose. Read some controversial books.
You can also bid in the Banned Books Week Online Auction (http://www.abffe.org/?page=Auction) of original children's art from leading illustrators and artists.
ABFFE and the National Coalition Against Censorship are also co-founders of the Kids' Right to Read Project.
ABFFE’s mission is to promote and protect the free exchange of ideas, particularly those contained in books, by opposing restrictions on the freedom of speech; issuing statements on significant free expression controversies; participating in legal cases involving First Amendment rights; collaborating with other groups with an interest in free speech; and providing education about the importance of free expression to booksellers, other members of the book industry, politicians, the press and the public.
Support your right to write what you want, and have people read what they choose. Read some controversial books.
You can also bid in the Banned Books Week Online Auction (http://www.abffe.org/?page=Auction) of original children's art from leading illustrators and artists.
ABFFE and the National Coalition Against Censorship are also co-founders of the Kids' Right to Read Project.
Monday, August 20, 2012
Top-Earning Authors
From Forbes Magazine, 8/9/12:
http://www.forbes.com/sites/jeffbercovici/2012/08/09/women-on-the-rise-among-the-worlds-top-earnings-authors/
Selected quotes from the article:
"Men still top the list of the world’s highest-earning authors, but this year it’s the women on the list who’ve been making the boldest moves, led by a trio of genre phenoms: Suzanne Collins, E.L. James and J.K. Rowling."
"Genre fiction and young adult are clearly where the money’s at."
http://www.forbes.com/sites/jeffbercovici/2012/08/09/women-on-the-rise-among-the-worlds-top-earnings-authors/
Selected quotes from the article:
"Men still top the list of the world’s highest-earning authors, but this year it’s the women on the list who’ve been making the boldest moves, led by a trio of genre phenoms: Suzanne Collins, E.L. James and J.K. Rowling."
"Genre fiction and young adult are clearly where the money’s at."
- James Patterson ($94 million)
- Stephen King ($39 million)
- Janet Evanovich ($33 million)
- John Grisham ($26 million)
- Jeff Kinney ($25 million)
- Bill O'Reilly ($24 million)
- Nora Roberts ($23 million)
- Danielle Steel ($23 million)
- Suzanne Collins ($20 million)
- Dean Koontz ($19 million)
- J.K. Rowling ($17 million)
- George R.R. Martin ($15 million)
- Stephenie Meyer ($14 million)
- Ken Follett ($14 million)
- Rick Riordan ($13 million)
Thursday, December 29, 2011
Publishing Predictions for 2012
Digital Book World has published a list of ten predictions for change in the publishing industry for 2012. None of them are surprising.
1. We will see more self-published best-sellers next year with an exponential rise in the number of million-selling authors.
2. Large publishing companies will go through major restructurings, creating new positions and redundancies of all shapes and sizes.
3. Amazon will come out with a larger tablet with an 8.9-inch screen and it will be priced at $299 or lower.
4. Apple will come out with a smaller iPad at a reduced price.
5. Sony will get a second life in the e-reader game when Pottermore launches in the Spring.
6. Literary agencies will engage in a campaign to communicate the value of their services to the book industry.
7. Authors will become disenchanted with the rights they sign away to publishers. Shorter and more flexible copyright terms will become more attractive to authors.
8. The standard e-book royalty from major publishing houses will rise next year and will escalate with increased sales.
9. Standards of what an app and what a book is will change and apps will eventually be sold in the iBookstore.
10. More publishing companies will form in-house transmedia groups.
1. We will see more self-published best-sellers next year with an exponential rise in the number of million-selling authors.
2. Large publishing companies will go through major restructurings, creating new positions and redundancies of all shapes and sizes.
3. Amazon will come out with a larger tablet with an 8.9-inch screen and it will be priced at $299 or lower.
4. Apple will come out with a smaller iPad at a reduced price.
5. Sony will get a second life in the e-reader game when Pottermore launches in the Spring.
6. Literary agencies will engage in a campaign to communicate the value of their services to the book industry.
7. Authors will become disenchanted with the rights they sign away to publishers. Shorter and more flexible copyright terms will become more attractive to authors.
8. The standard e-book royalty from major publishing houses will rise next year and will escalate with increased sales.
9. Standards of what an app and what a book is will change and apps will eventually be sold in the iBookstore.
10. More publishing companies will form in-house transmedia groups.
Thursday, November 24, 2011
Interesting News & Links
Author Anne McCaffrey died Monday, Nov. 21. She was 85. She was a prolific writer of over 100 science fiction and fantasy novels, with well-known series Pern, Crystal Singer, Freedom, Doona, Tower&Hive, and many others. She won the Hugo and Nebula awards, the Robert A. Heinlein award, was a SFWA Grand Master, and was a NY Times bestseller.
http://www.locusmag.com/News/2011/11/anne-mccaffrey-1926-2011/?utm_source=Publishers+Weekly%27s+PW+Daily&utm_campaign=c616a44ee5-UA-15906914-1&utm_medium=email
~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~
Nora Roberts: The woman who rewrote the rules of romantic fiction
http://www.guardian.co.uk/books/2011/nov/20/nora-roberts-interview-romance-fiction?utm_source=Publishers+Weekly%27s+PW+Daily&utm_campaign=b1b22915cd-UA-15906914-1&utm_medium=email
~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~
Amazon Reader Reviews: 12 Things Everybody and His Grandmother Needs to Know
http://annerallen.blogspot.com/2011/11/amazon-reader-reviews-12-things.html
~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~
From the Shelf Awareness e-newsletter (10/12/11), reporting on the Publishers Launch conference:
The digital shift is happening faster than predicted, David Naggar, v-p, global Kindle content acquisition for Amazon, said. Digital now represents 20% of U.S. publishers' sales in dollars, and Amazon is now selling more Kindle books than print books in both the U.S. and U.K. "The transition is happening quickly and accelerating."
Readers who have been Amazon customers for at least a year buy three times as many print and digital books after they purchase a Kindle, David Naggar said.
Nook owners also "consume three times the content than before," Hilt [B&N's v-p of e-books] said, usually "a combination of digital and print." "If they were buying print, they still buy print books and use the Nook to enhance their library. We've learned that the print book isn't dead." In addition, new owners of the Nook buy "a tremendous amount of content for three to six months and then move into a more natural state of usage."
~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~
Bad Sex Awards shortlist:
http://www.mediabistro.com/galleycat/stephen-king-haruki-murakami-top-bad-sex-in-literature-shortlist_b42761
or
http://www.guardian.co.uk/books/2011/nov/22/bad-sex-awards-the-contenders?utm_source=Publishers+Weekly%27s+PW+Daily&utm_campaign=7e842f74de-UA-15906914-1&utm_medium=email
1Q84 by Haruki Murakami
On Canaan’s Side by Sebastian Barry
The Final Testament of the Holy Bible by James Frey
Parallel Stories by Péter Nádas
11.22.63 by Stephen King
Ed King by David Guterson
The Land of Painted Caves by Jean M Auel
The Affair by Lee Child
Dead Europe by Christos Tsiolkas
Outside the Ordinary World by Dori Ostermiller
Everything Beautiful Began After by Simon Van Booy
The Great Night by Chris Adrian
http://www.locusmag.com/News/2011/11/anne-mccaffrey-1926-2011/?utm_source=Publishers+Weekly%27s+PW+Daily&utm_campaign=c616a44ee5-UA-15906914-1&utm_medium=email
~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~
Nora Roberts: The woman who rewrote the rules of romantic fiction
http://www.guardian.co.uk/books/2011/nov/20/nora-roberts-interview-romance-fiction?utm_source=Publishers+Weekly%27s+PW+Daily&utm_campaign=b1b22915cd-UA-15906914-1&utm_medium=email
~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~
Amazon Reader Reviews: 12 Things Everybody and His Grandmother Needs to Know
http://annerallen.blogspot.com/2011/11/amazon-reader-reviews-12-things.html
~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~
From the Shelf Awareness e-newsletter (10/12/11), reporting on the Publishers Launch conference:
The digital shift is happening faster than predicted, David Naggar, v-p, global Kindle content acquisition for Amazon, said. Digital now represents 20% of U.S. publishers' sales in dollars, and Amazon is now selling more Kindle books than print books in both the U.S. and U.K. "The transition is happening quickly and accelerating."
Readers who have been Amazon customers for at least a year buy three times as many print and digital books after they purchase a Kindle, David Naggar said.
Nook owners also "consume three times the content than before," Hilt [B&N's v-p of e-books] said, usually "a combination of digital and print." "If they were buying print, they still buy print books and use the Nook to enhance their library. We've learned that the print book isn't dead." In addition, new owners of the Nook buy "a tremendous amount of content for three to six months and then move into a more natural state of usage."
~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~
Bad Sex Awards shortlist:
http://www.mediabistro.com/galleycat/stephen-king-haruki-murakami-top-bad-sex-in-literature-shortlist_b42761
or
http://www.guardian.co.uk/books/2011/nov/22/bad-sex-awards-the-contenders?utm_source=Publishers+Weekly%27s+PW+Daily&utm_campaign=7e842f74de-UA-15906914-1&utm_medium=email
1Q84 by Haruki Murakami
On Canaan’s Side by Sebastian Barry
The Final Testament of the Holy Bible by James Frey
Parallel Stories by Péter Nádas
11.22.63 by Stephen King
Ed King by David Guterson
The Land of Painted Caves by Jean M Auel
The Affair by Lee Child
Dead Europe by Christos Tsiolkas
Outside the Ordinary World by Dori Ostermiller
Everything Beautiful Began After by Simon Van Booy
The Great Night by Chris Adrian
Monday, September 5, 2011
New Line: EC for Men
Stories written specifically for our male readers.
We are now accepting submissions (find instructions in the Author Information brochure available under Submissions on our website).
~ 7,000 to 30,000 words
~ May contain relationships, but should focus more on the sex than the romance; Romantica is fine, Exotika is also encouraged
~ Realistic wording and dialogue for male characters (not the language women WISH men spoke); this extends to the male narrative
~ Written from male POV preferred
~ Should be aimed at male sexual fantasies (what men think of when they get off)
~ More of what men want or need from women: sex, love, acceptance, admiration, dirty talk; less of what they don't need (judgment, drama, expectation of anticipating woman's needs)
* Examples include, but are in no way limited to:
- Women taking the initiative during sex
- Female pursuit of the man
- Voyeurism of female/female sex (as well as F/M/F and F/F/M themes)
- Risky sexual situations or locations; a sense of the forbidden (e.g. the boss's mistress, the maid, the college professor, sex in public, etc.)
Remember that sex is largely visual and verbal for men (for women, it is mainly mental and emotional). Men polled preferred "real women" (natural as opposed to surgically enhanced) and wanted women to "do some of the work". Interpret that as you will!
We are now accepting submissions (find instructions in the Author Information brochure available under Submissions on our website).
~ 7,000 to 30,000 words
~ May contain relationships, but should focus more on the sex than the romance; Romantica is fine, Exotika is also encouraged
~ Realistic wording and dialogue for male characters (not the language women WISH men spoke); this extends to the male narrative
~ Written from male POV preferred
~ Should be aimed at male sexual fantasies (what men think of when they get off)
~ More of what men want or need from women: sex, love, acceptance, admiration, dirty talk; less of what they don't need (judgment, drama, expectation of anticipating woman's needs)
* Examples include, but are in no way limited to:
- Women taking the initiative during sex
- Female pursuit of the man
- Voyeurism of female/female sex (as well as F/M/F and F/F/M themes)
- Risky sexual situations or locations; a sense of the forbidden (e.g. the boss's mistress, the maid, the college professor, sex in public, etc.)
Remember that sex is largely visual and verbal for men (for women, it is mainly mental and emotional). Men polled preferred "real women" (natural as opposed to surgically enhanced) and wanted women to "do some of the work". Interpret that as you will!
Friday, September 2, 2011
2011 Banned Books Week
From the American Library Association:
"Banned Books Week (BBW) is an annual event celebrating the freedom to read and the importance of the First Amendment. Held during the last week of September, Banned Books Week highlights the benefits of free and open access to information while drawing attention to the harms of censorship by spotlighting actual or attempted bannings of books across the United States.
Intellectual freedom—the freedom to access information and express ideas, even if the information and ideas might be considered unorthodox or unpopular—provides the foundation for Banned Books Week. BBW stresses the importance of ensuring the availability of unorthodox or unpopular viewpoints for all who wish to read and access them."
Read a Banned Book
http://www.publishersweekly.com/pw/by-topic/industry-news/bookselling/article/48132-banned-books-week-features-youtube-read-out-.html?utm_source=Publishers+Weekly%27s+PW+Daily&utm_campaign=fa61d64fce-UA-15906914-1&utm_medium=email
For Banned Books Week (Sept. 24-Oct. 1) this year, booksellers and their customers can proclaim their support for free speech on the Internet by joining a worldwide read-out of banned and challenged books. For many years, Banned Books Week has featured readings from challenged titles in bookstores and libraries. This year people can participate no matter where they are–in bookstores, libraries and their own homes–by posting a video of themselves reading their favorite banned book on a special YouTube channel.
Readers can select any banned or challenged book, and excerpts can be up to two minutes in length. Alternatively, people who have worked to defend banned or challenged titles can describe their battles in videos of up to three minutes in length. Booksellers will send the videos to the American Booksellers Foundation for Free Expression (ABFFE), which will edit them, add the names and logos of the bookstores where the filming occurred and then post them on YouTube. The videos will also be tagged to make it easy for bookstores to feature them on their websites, blogs, Facebook pages and Twitter accounts.
For further information, e-mail info@abffe.org
"Banned Books Week (BBW) is an annual event celebrating the freedom to read and the importance of the First Amendment. Held during the last week of September, Banned Books Week highlights the benefits of free and open access to information while drawing attention to the harms of censorship by spotlighting actual or attempted bannings of books across the United States.
Intellectual freedom—the freedom to access information and express ideas, even if the information and ideas might be considered unorthodox or unpopular—provides the foundation for Banned Books Week. BBW stresses the importance of ensuring the availability of unorthodox or unpopular viewpoints for all who wish to read and access them."
Read a Banned Book
http://www.publishersweekly.com/pw/by-topic/industry-news/bookselling/article/48132-banned-books-week-features-youtube-read-out-.html?utm_source=Publishers+Weekly%27s+PW+Daily&utm_campaign=fa61d64fce-UA-15906914-1&utm_medium=email
For Banned Books Week (Sept. 24-Oct. 1) this year, booksellers and their customers can proclaim their support for free speech on the Internet by joining a worldwide read-out of banned and challenged books. For many years, Banned Books Week has featured readings from challenged titles in bookstores and libraries. This year people can participate no matter where they are–in bookstores, libraries and their own homes–by posting a video of themselves reading their favorite banned book on a special YouTube channel.
Readers can select any banned or challenged book, and excerpts can be up to two minutes in length. Alternatively, people who have worked to defend banned or challenged titles can describe their battles in videos of up to three minutes in length. Booksellers will send the videos to the American Booksellers Foundation for Free Expression (ABFFE), which will edit them, add the names and logos of the bookstores where the filming occurred and then post them on YouTube. The videos will also be tagged to make it easy for bookstores to feature them on their websites, blogs, Facebook pages and Twitter accounts.
For further information, e-mail info@abffe.org
Friday, August 26, 2011
Happy Anniversary!
By Raelene Gorlinsky
(Based on information from an article in Publishers Weekly, 8/15/11 issue.)
Ah, the books we remember fondly from our childhood - or from reading to our children. The classics are called that for a reason - they are great stories that stay popular. Some of the most popular children's books are celebrating long anniversaries, and most therefore have special editions coming out.
Remember the series about Babar the elephant? I loved those drawings. The first book, The Story of Babar by Jean de Brunhoff, came out in 1931, so is now 80 years old and still beloved by and relevant to children. Coming out this month will be Babar's Celestville Games by Laurent de Brunhoff, Jean's son.
A Wrinkle in Time by Madeleine L'Engle made a deep impression on me as a preteen. It's celebrating it's 50th with a special commemorative edition. There will also be a graphic novel adaptation out next year.
The Phantom Tollbooth by Norton Juster & Jules Feiffer is 50 years old. The special anniversary editioin will be released in October.
James and the Giant Peach by Roald Dahl is also 50 this year. The publisher, Puffin, is not only putting out an anniversary edition, but having a variety of online activities and contests.
Ezra Jack Keats' The Snowy Day will be 50 next year. It was considered groundbreaking back in 1962, and won the Caldecott Medal, because the young boy was African-American.
Remember the jungle animals coming out of the game in Jumanji by Chris Van Allsburg, 30 years ago? It was a 1982 Caldecott Medal winner, and came out as a movie in 1995.
The Magic School Bus series by Joanna Cole is 25. I read these to my son when he was small; I enjoyed them as much as he did. The illustrations by Bruce Degen are wonderfully clever.
I'm likely to succumb and buy some of the special editions, to add to my collection of children's picture books.
(Based on information from an article in Publishers Weekly, 8/15/11 issue.)
Ah, the books we remember fondly from our childhood - or from reading to our children. The classics are called that for a reason - they are great stories that stay popular. Some of the most popular children's books are celebrating long anniversaries, and most therefore have special editions coming out.
Remember the series about Babar the elephant? I loved those drawings. The first book, The Story of Babar by Jean de Brunhoff, came out in 1931, so is now 80 years old and still beloved by and relevant to children. Coming out this month will be Babar's Celestville Games by Laurent de Brunhoff, Jean's son.
A Wrinkle in Time by Madeleine L'Engle made a deep impression on me as a preteen. It's celebrating it's 50th with a special commemorative edition. There will also be a graphic novel adaptation out next year.
The Phantom Tollbooth by Norton Juster & Jules Feiffer is 50 years old. The special anniversary editioin will be released in October.
James and the Giant Peach by Roald Dahl is also 50 this year. The publisher, Puffin, is not only putting out an anniversary edition, but having a variety of online activities and contests.
Ezra Jack Keats' The Snowy Day will be 50 next year. It was considered groundbreaking back in 1962, and won the Caldecott Medal, because the young boy was African-American.
Remember the jungle animals coming out of the game in Jumanji by Chris Van Allsburg, 30 years ago? It was a 1982 Caldecott Medal winner, and came out as a movie in 1995.
The Magic School Bus series by Joanna Cole is 25. I read these to my son when he was small; I enjoyed them as much as he did. The illustrations by Bruce Degen are wonderfully clever.
I'm likely to succumb and buy some of the special editions, to add to my collection of children's picture books.
Wednesday, June 22, 2011
Fiction Rules Ebooks
Over half of all ebooks purchased are fiction, according to the recently released Bowker "2010-2011 U.S. Book Consumer Demographics & Buying Behaviors Annual Review". Their survey of 40,000 book buyers reveals that fiction ebook sales account for 61% by unit and 51% by dollars. The other (various non-fiction and children's) genres measured ranged from 3% to 14% market share each.
Online retailers of books accounted for 30% of all sales in 2010, with the major bookstore chains captured 29%. It was clear that consumers buy both ebooks and print books more from online retailers. Amazon and Barnes&Noble tied as the U.S.'s largest volume booksellers in 2010.
Online retailers of books accounted for 30% of all sales in 2010, with the major bookstore chains captured 29%. It was clear that consumers buy both ebooks and print books more from online retailers. Amazon and Barnes&Noble tied as the U.S.'s largest volume booksellers in 2010.
Thursday, June 9, 2011
Influential Female Authors
Forbes has an article listing the ten most powerful woman authors.
http://blogs.forbes.com/avrildavid/2011/06/06/the-10-most-powerful-women-authors/
(June 6, 2011)
"The women selected for this list are powerful because of their ability to influence us through their words and ideas. Collectively, these women hold readers captivated with stories of fantastical worlds, suspense and drama, insights into the complexities of minority experiences and cultures, and fresh takes on societal issues and expectations…not to mention, book sales of up to 800M copies sold and a wealth of prestigious awards and recognition including Nobel and Pulitzer Prizes."
Read the article for details on these women. They are quite a diverse group.
J.K. Rowling
Danielle Steele
Toni Morrison
Stephanie Meyer
Mary Higgins Clark
Maya Angelou
Alice Walker
Jhumpa Lahiri
Joyce Carol Oates
Isabel Allende
These are all big, famous names. (And the list is limited to living authors.) But for many of us, the books and writers who influenced us personally are not such global personalities. Reading Georgette Heyer as a pre-teen gave me my livelong love of history, of social manners, and of romance novels. What female authors had an impact on your life?
http://blogs.forbes.com/avrildavid/2011/06/06/the-10-most-powerful-women-authors/
(June 6, 2011)
"The women selected for this list are powerful because of their ability to influence us through their words and ideas. Collectively, these women hold readers captivated with stories of fantastical worlds, suspense and drama, insights into the complexities of minority experiences and cultures, and fresh takes on societal issues and expectations…not to mention, book sales of up to 800M copies sold and a wealth of prestigious awards and recognition including Nobel and Pulitzer Prizes."
Read the article for details on these women. They are quite a diverse group.
J.K. Rowling
Danielle Steele
Toni Morrison
Stephanie Meyer
Mary Higgins Clark
Maya Angelou
Alice Walker
Jhumpa Lahiri
Joyce Carol Oates
Isabel Allende
These are all big, famous names. (And the list is limited to living authors.) But for many of us, the books and writers who influenced us personally are not such global personalities. Reading Georgette Heyer as a pre-teen gave me my livelong love of history, of social manners, and of romance novels. What female authors had an impact on your life?
Wednesday, June 8, 2011
E-millions
Amazon has announced that six authors have now sold more than 1 million Kindle books each: Stieg Larsson, James Patterson, Nora Roberts, Charlaine Harris, Lee Child and Suzanne Collins.
I'd love to know what the total number of ebook sales are for these authors, not just Kindle format sales. If you add the ePub format sold at Barnes & Noble, Sony, Kobo... Let alone the smaller e-tailers, direct from publisher sales; and then additional common ebook formats like PDF and others.
I'd love to know what the total number of ebook sales are for these authors, not just Kindle format sales. If you add the ePub format sold at Barnes & Noble, Sony, Kobo... Let alone the smaller e-tailers, direct from publisher sales; and then additional common ebook formats like PDF and others.
Wednesday, June 1, 2011
You're Gonna Have to Face it...
By Kelli Collins
So this was fun. This article warning women of those dangerous, dangerous romance novels. You know…those things to which I’ve dedicated my professional life.
Apparently romance novels can ruin your marriage, turn you into a recluse, cause clinical depression, lead to nosebleeds, increase flatulence, prompt rituals in the name of Aphrodite and contribute to tingling in your nether regions. (And let’s not forget the dreaded Fluttering Vajayjays.)
What? You didn’t know?
The article by Kimberly Sayer-Giles points out romance sales exceed those of inspirational, religious and self-help books combined by more than half a billion (though she fails to mention from which year she culled those figures). That Ms. Sayer-Giles is a self-help guru speaks volumes. Gee, lady, how about veiling your attempt to drum up business for yourself by trashing an entire industry? Home-wreckers like myself would really appreciate it, thanks.
Oh, I’m sorry. Not self-help guru. Ms. Sayer-Giles is a “life coach”. Yes, in quotes. Largely because I figure we need “life coaches” like we need “executive phone managers” and “deep-fry specialists” and “nail technicians”. Slap a fancy title on your business card and you’re still making a living telling people their underachieving choices aren’t good enough.
But what am I saying? I’ve completely overlooked the known fact that romance readers believe every syllable we publish. Of COURSE they fully believe every man alive should be a 6’5”, ruggedly handsome, muscular bronze god. Of course they expect every man to plumb the depths of his deepest feelings and invite his studly friends home for a three-way romp to satisfy his woman’s fantasies. Before shifting into a werewolf and scurrying out the back door to howl at the moon. Naturally.
Thank God we have professional self-help mavens to pull us back from our unrealistic expectations and give us a nice punch of reality to the face. I was thisclose to divorcing my husband and posting a personal ad to find my own broodingly sexy vampire life-mate.
Whew. Close call. Thanks, coach.
Thursday, May 19, 2011
E overtakes Print at Amazon
So, are you a member of the "print is dead" party? Or the "there will always be both" group? Or the "If it isn't in print I won't read it" fringe? Where do you see print books five years from now?
Here's the first section of the press release:
Amazon.com Now Selling More Kindle Books Than Print Books
SEATTLE, May 19, 2011
Amazon began selling hardcover and paperback books in July 1995. Twelve years later in November 2007, Amazon introduced the revolutionary Kindle and began selling Kindle books. By July 2010, Kindle book sales had surpassed hardcover book sales, and six months later, Kindle books overtook paperback books to become the most popular format on Amazon.com. Today, less than four years after introducing Kindle books, Amazon.com customers are now purchasing more Kindle books than all print books - hardcover and paperback - combined.
"Customers are now choosing Kindle books more often than print books. We had high hopes that this would happen eventually, but we never imagined it would happen this quickly - we've been selling print books for 15 years and Kindle books for less than four years," said Jeff Bezos, Founder and CEO, Amazon.com. "In addition, we're excited by the response to Kindle with Special Offers for only $114, which has quickly become the bestselling member of the Kindle family. We continue to receive positive comments from customers on the low $114 price and the money-saving special offers. We're grateful to our customers for continuing to make Kindle the bestselling e-reader in the world and the Kindle Store the most popular e-bookstore in the world."
Recent milestones for Kindle include:
Since April 1, for every 100 print books Amazon.com has sold, it has sold 105 Kindle books. This includes sales of hardcover and paperback books by Amazon where there is no Kindle edition. Free Kindle books are excluded and if included would make the number even higher.
So far in 2011, the tremendous growth of Kindle book sales, combined with the continued growth in Amazon's print book sales, have resulted in the fastest year-over-year growth rate for Amazon's U.S. books business, in both units and dollars, in over 10 years. This includes books in all formats, print and digital. Free books are excluded in the calculation of growth rates.
Amazon sold more than 3x as many Kindle books so far in 2011 as it did during the same period in 2010.
Less than one year after introducing the UK Kindle Store, Amazon.co.uk is now selling more Kindle books than hardcover books, even as hardcover sales continue to grow. Since April 1, Amazon.co.uk customers are purchasing Kindle books over hardcover books at a rate of more than 2 to 1.
Here's the first section of the press release:
Amazon.com Now Selling More Kindle Books Than Print Books
SEATTLE, May 19, 2011
Amazon began selling hardcover and paperback books in July 1995. Twelve years later in November 2007, Amazon introduced the revolutionary Kindle and began selling Kindle books. By July 2010, Kindle book sales had surpassed hardcover book sales, and six months later, Kindle books overtook paperback books to become the most popular format on Amazon.com. Today, less than four years after introducing Kindle books, Amazon.com customers are now purchasing more Kindle books than all print books - hardcover and paperback - combined.
"Customers are now choosing Kindle books more often than print books. We had high hopes that this would happen eventually, but we never imagined it would happen this quickly - we've been selling print books for 15 years and Kindle books for less than four years," said Jeff Bezos, Founder and CEO, Amazon.com. "In addition, we're excited by the response to Kindle with Special Offers for only $114, which has quickly become the bestselling member of the Kindle family. We continue to receive positive comments from customers on the low $114 price and the money-saving special offers. We're grateful to our customers for continuing to make Kindle the bestselling e-reader in the world and the Kindle Store the most popular e-bookstore in the world."
Recent milestones for Kindle include:
Since April 1, for every 100 print books Amazon.com has sold, it has sold 105 Kindle books. This includes sales of hardcover and paperback books by Amazon where there is no Kindle edition. Free Kindle books are excluded and if included would make the number even higher.
So far in 2011, the tremendous growth of Kindle book sales, combined with the continued growth in Amazon's print book sales, have resulted in the fastest year-over-year growth rate for Amazon's U.S. books business, in both units and dollars, in over 10 years. This includes books in all formats, print and digital. Free books are excluded in the calculation of growth rates.
Amazon sold more than 3x as many Kindle books so far in 2011 as it did during the same period in 2010.
Less than one year after introducing the UK Kindle Store, Amazon.co.uk is now selling more Kindle books than hardcover books, even as hardcover sales continue to grow. Since April 1, Amazon.co.uk customers are purchasing Kindle books over hardcover books at a rate of more than 2 to 1.
Friday, May 6, 2011
Random Snippets
Margaret Atwood:
http://www.theglobeandmail.com/news/national/time-to-lead/no-e-books-without-authors-atwood-reminds-us/article1943785/page2/
"...the Bayeaux Tapestry which is sometimes called the first comic book. It’s a series of panels with text here and there, and a frieze along the bottom which consists basically of people getting their heads chopped off and their clothes pulled off. It’s very non-linear, but also quite linear because you read the panels in sequence; but you also read them back and forth and up and down."
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Nancy Werlin: The Anatomy of a Book Cover
YA author talking about the development of the cover art for one of her books
"Then there’s the mission of any cover: to represent the book’s contents authentically enough while appealing to the tastes of those most likely to want to buy it and read it.
“Authentically enough.” What do I mean by this? Well, I’m a veteran of YA book covers (just take a look at my website’s Cover Gallery, in which you’ll find my sometimes trenchant comments on the covers of my books over time). I used to want covers that represented the book’s contents very closely, and were also pretty. Many folks automatically believe that this is what makes a good cover.
But I’ve changed my mind about this. While the cover should not lie (by implication or outright), its job is simply to say: “Pick me up!” to someone who might like the book. That is all. "
~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Gail Rebuck, the chief executive of Random House in the U.K., recently described her “idea of hell” as a website ‘with 80,000 self-published works on it’ – a world where publishers and bookshops are replaced by a sort of online, super slush pile.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Authors occasionally ask what is meant by the "Big Six" in publishing. It's the major U.S. New York-based traditional publishers (used to be referred to as print publishers, but now of course also offer their books in digital).
Hachette
HarperCollins
Macmillan
Penguin
Random House
Simon & Schuster
Need to remember that? Raelene's mnemonic (memory trick): Heros and Heroines: Most Prefer Romance and Sex.
And each of those publishing houses has multiple imprints. It's not unusual for the house to reorganize and rename imprints, so any list can become outdated. But for example, a not-too-old list of Penguin imprints: Berkley, Berkley Sensation, Gotham, Heat, Jove, Obsidian, Onyx, Prime Crime, Putnam, Signet, Signet Eclipse, NAL, Riverhead, Viking.
Of course, because the Big Six refers to U.S. publishers, it is missing the largest romance publisher: Harlequin.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
http://www.theglobeandmail.com/news/national/time-to-lead/no-e-books-without-authors-atwood-reminds-us/article1943785/page2/
"...the Bayeaux Tapestry which is sometimes called the first comic book. It’s a series of panels with text here and there, and a frieze along the bottom which consists basically of people getting their heads chopped off and their clothes pulled off. It’s very non-linear, but also quite linear because you read the panels in sequence; but you also read them back and forth and up and down."
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Nancy Werlin: The Anatomy of a Book Cover
YA author talking about the development of the cover art for one of her books
"Then there’s the mission of any cover: to represent the book’s contents authentically enough while appealing to the tastes of those most likely to want to buy it and read it.
“Authentically enough.” What do I mean by this? Well, I’m a veteran of YA book covers (just take a look at my website’s Cover Gallery, in which you’ll find my sometimes trenchant comments on the covers of my books over time). I used to want covers that represented the book’s contents very closely, and were also pretty. Many folks automatically believe that this is what makes a good cover.
But I’ve changed my mind about this. While the cover should not lie (by implication or outright), its job is simply to say: “Pick me up!” to someone who might like the book. That is all. "
~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Gail Rebuck, the chief executive of Random House in the U.K., recently described her “idea of hell” as a website ‘with 80,000 self-published works on it’ – a world where publishers and bookshops are replaced by a sort of online, super slush pile.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Authors occasionally ask what is meant by the "Big Six" in publishing. It's the major U.S. New York-based traditional publishers (used to be referred to as print publishers, but now of course also offer their books in digital).
Hachette
HarperCollins
Macmillan
Penguin
Random House
Simon & Schuster
Need to remember that? Raelene's mnemonic (memory trick): Heros and Heroines: Most Prefer Romance and Sex.
And each of those publishing houses has multiple imprints. It's not unusual for the house to reorganize and rename imprints, so any list can become outdated. But for example, a not-too-old list of Penguin imprints: Berkley, Berkley Sensation, Gotham, Heat, Jove, Obsidian, Onyx, Prime Crime, Putnam, Signet, Signet Eclipse, NAL, Riverhead, Viking.
Of course, because the Big Six refers to U.S. publishers, it is missing the largest romance publisher: Harlequin.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Monday, May 2, 2011
Latest Study of Ebook Reading
The Book Industry Study Group (BISG) has been conducting surveys since November 2009 to track book consumer attitudes toward ebooks. They just announced the results of the latest survey. (Survey results available at $500 and up, depending on how much detail you want.)
http://www.bisg.org/news-5-631-press-releasebisg-study-reveals-e-book-buyers-are-accelerating-their-move-away-from-print.php
http://www.bisg.org/news-5-631-press-releasebisg-study-reveals-e-book-buyers-are-accelerating-their-move-away-from-print.php
"The surge in sales of e-reading devices like Amazon’s Kindle during the 2010 holiday season launched a turning point in e-book history according to the Book Industry Study Group (BISG). The second installment in VOLUME TWO of BISG’s closely watched Consumer Attitudes Toward E-Book Reading survey shows the percentage of print book consumers who say they download e-books jumped from 5% in October 2010 to nearly 13% in January 2011. In addition, fully two-thirds of survey respondents said they have moved exclusively, or mostly, to e-books over print. Finally, despite declining sales of pricier hardbacks, overall spending on books shows an uptick over the past six months, with 44% of respondents reporting higher unit purchases and 34% reporting higher overall spending on a combination of print books and e-books."And just what type of ebooks are people buying?
"Fiction continues to dominate downloads, with literary fiction, science fiction, and romance each comprising over 20% of all format purchases."
Monday, April 11, 2011
Top-Earning Crime Writers
Courtesy of The Guardian news organization in the UK, we can now all be green with envy of these writers, even the dead ones.
Earnings are "based on recorded sales, box office returns, licence fees and company accounts".
http://www.guardian.co.uk/books/2011/apr/10/top-earning-crime-writers-uk
The top 10 UK crime authors
Ian Fleming £100m+
Agatha Christie £100m
Jeffrey Archer £70m
Jack Higgins £50m+
Ken Follett £50m
Dick Francis, just under £50m
Ruth Rendell £30m+
Lee Child £30m
Ian Rankin £25m
Alexander McCall Smith £20m
Top 10 US crime writers
John Grisham $600m
Dan Brown $400m
Patricia Cornwell $300m+
Robert Ludlum $300m
Michael Crichton $300m
Michael Connelly $250m
Thomas Harris $150m
Elmore Leonard $100m
Ed McBain $75m
James Ellroy $50m
Earnings are "based on recorded sales, box office returns, licence fees and company accounts".
http://www.guardian.co.uk/books/2011/apr/10/top-earning-crime-writers-uk
The top 10 UK crime authors
Ian Fleming £100m+
Agatha Christie £100m
Jeffrey Archer £70m
Jack Higgins £50m+
Ken Follett £50m
Dick Francis, just under £50m
Ruth Rendell £30m+
Lee Child £30m
Ian Rankin £25m
Alexander McCall Smith £20m
Top 10 US crime writers
John Grisham $600m
Dan Brown $400m
Patricia Cornwell $300m+
Robert Ludlum $300m
Michael Crichton $300m
Michael Connelly $250m
Thomas Harris $150m
Elmore Leonard $100m
Ed McBain $75m
James Ellroy $50m
Friday, March 25, 2011
Diagram Prize Winner!
Those of you who follow the news of the weird and wonderful in the publishing world are aware of the Diagram Prize for the Oddest Book Title of the Year, awarded by The Bookseller. It's selected by online voting; we'd previously posted the shortlist of finalists and and voting link.
And this year's winner is...Managing a Dental Practice the Genghis Khan Way by Michael R Young.
http://www.thebookseller.com/news/dictator-dentistry-wins-odd-title-prize.html
And this year's winner is...Managing a Dental Practice the Genghis Khan Way by Michael R Young.
http://www.thebookseller.com/news/dictator-dentistry-wins-odd-title-prize.html
Wednesday, March 23, 2011
Google Books Settlement
by Raelene Gorlinsky
Well, if you read any of the industry newsletters or blogs, you are aware that yesterday Judge Denny Chin rejected the Google Books Settlement deal. This thing has been dragging on for several years, so it is at least good to have some sort of progess. Now, of course, most people are betting that Google will appeal the decision. So it's not really over. I'm sure that eventually--in how many more years?--a deal will get worked out.
My personal opinion all along has been what the judge suggested--make it opt-in instead of opt-out. But that is not what Google wants, as it increases the work and record-keeping for them and greatly reduces the number of books that could be included in their digitize-the-world plans.
Publishers Weekly article:
http://www.publishersweekly.com/pw/by-topic/digital/copyright/article/46582-after-rejection-a-rocky-road-for-google-settlement.html?utm_source=Publishers+Weekly%27s+PW+Daily&utm_campaign=328b50e3d9-UA-15906914-1&utm_medium=email
New York Times article:
http://www.blogger.com/post-edit.g?blogID=8983687699975451453&postID=5141179333328836827
Well, if you read any of the industry newsletters or blogs, you are aware that yesterday Judge Denny Chin rejected the Google Books Settlement deal. This thing has been dragging on for several years, so it is at least good to have some sort of progess. Now, of course, most people are betting that Google will appeal the decision. So it's not really over. I'm sure that eventually--in how many more years?--a deal will get worked out.
My personal opinion all along has been what the judge suggested--make it opt-in instead of opt-out. But that is not what Google wants, as it increases the work and record-keeping for them and greatly reduces the number of books that could be included in their digitize-the-world plans.
Publishers Weekly article:
http://www.publishersweekly.com/pw/by-topic/digital/copyright/article/46582-after-rejection-a-rocky-road-for-google-settlement.html?utm_source=Publishers+Weekly%27s+PW+Daily&utm_campaign=328b50e3d9-UA-15906914-1&utm_medium=email
New York Times article:
http://www.blogger.com/post-edit.g?blogID=8983687699975451453&postID=5141179333328836827
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